Dominic Says: February 17, 2009 at 9:41 pm
There’s something about Laruelle’s language (in translation) that I find philosophically repulsive, undigestible, in poor taste. I have no desire whatsoever to master that jargon (and that’s unusual, for me). But I think this is deliberate, that having a tin ear for philosophical euphony is a large part of what Laruelle’s about, performatively speaking. Not to say that serious discussion is pointless, that it’s all a sort of clown act, but that Laruelle is involved in a quite serious effort to “tympanize” philosophy, and one shouldn’t be at all surprised that the language grates, confuses and repulses.
Dominic Says: February 17, 2009 at 9:45 pm
Btw, I totally claim dibs on that connection of Laruelle’s “non-philosophy” to Derrida’s “Tympan”. There should be some sort of prize, and I should totally be awarded it.
larvalsubjects Says: February 18, 2009 at 1:53 am
Absolutely, I have a similar reaction. I find this unusual because I don’t have a similar reaction– and I realize it’s a reaction –to the language of thinkers like Deleuze, Heidegger, Lacan, Hegel, etc. However, for some reason when I’m reading Laruelle or those who have taken on his style of prose, my eyes glaze over and nothing sticks.
kvond Says: February 18, 2009 at 6:55 pm
“Behold, The Non-Rabbit: Kant, Quine, Laruelle,” by Ray Brassier
Pseudonym Says: February 18, 2009 at 7:05 pm
It reads to me like he’s absorbed the worst stylistic elements of both the continental and analytic traditions. I’m slightly curious about what he’s up to but when it’s put in that form I feel comfortable simply maintaining my vague assumptions about his project. If I find any value in it, it’s as you say LS, that I can begin to empathize with people who react to most continental stuff in this fashion.
Re: The Strange Case of Dr. M and Mr. S koantum Wed 18 Feb 2009 06:31 PM PST Here is a useful crash-course: HOW TO SPEAK AND WRITE POSTMODERN by Stephen Katz, Associate Professor, Sociology, Trent University, Peterborough, Ontario, Canada Excerpts:
Postmodern language requires that one uses play, parody and indeterminacy as critical techniques to point this out. Often this is quite a difficult requirement, so obscurity is a well-acknowledged substitute. [...] Here is another highly commendable pomo text. Do read it to the very end or, if you get tired, jump to the bottom of the page and read the last screenful. Sitting on a cornflake, waiting for the van to come...