The film The Mist can be read as depicting the morphogenesis of groups or as being a study of the process of groups-in-formation making the transition from the status of aggregates to the status of assemblages. At the beginning of the film you have people belonging to the same town but in such a way as to primarily be an aggregate. That is, any unity or One among these people is minimal and weak, consisting of being members of the same town without these members thinking of themselves as an assemblage or One. As the film progresses and the people trapped in the store encounter more and more of the creatures in the mist, polarities begin to form within the population. The process here could be analogized to one similar to the process an egg undergoes as the yoke gets progressively differentiated over the course of development.
Eventually fairly well defined assemblages are produced, consisting of secularists on the one side and the religious on the other side, as well as racial divides. These identities did not pre-exist the formation of the assemblages– or if they did it was only with a low degree of intensity. The people that side with the ultra-fundamentalist religious woman were not themselves ultra-fundamentalist at the beginning of the film. Likewise, the people that form the secularist assemblage were not significantly related to one another in any particular way. Rather, the identity that forms the aggregates instead emerges from out of the Brownian motion of this nebulous population of the city and reinforces itself as a One or Unity as it comes into being. 8:20 PM